Full Cavity Search Pt. 2 – BrazzersExxtra – Kiara Lord

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  8. Editor’s Note: Call to Earth is a CNN editorial series committed to reporting on the environmental challenges facing our planet, together with the solutions. Rolex’s Perpetual Planet Initiative has partnered with CNN to drive awareness and education around key sustainability issues and to inspire positive action.

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    Crashing waves, glistening sea spray, a calm expanse of deep blue. These are the images that open “Ocean with David Attenborough,” the veteran broadcaster’s latest film. After decades of sharing stories of life on our planet, he tells viewers that: “The most important place on Earth is not on land but at sea.”

    The film — released in cinemas today and available to stream globally on Disney+ and Hulu in June — coincides with Attenborough’s 99th birthday, and describes how the ocean has changed during his lifetime.
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    “Over the last hundred years, scientists and explorers have revealed remarkable new species, epic migrations and dazzling, complex ecosystems beyond anything I could have imagined as a young man,” he says in a press release. “In this film, we share those wonderful discoveries, uncover why our ocean is in such poor health, and, perhaps most importantly, show how it can be restored to health.”

    The feature-length documentary takes viewers on a journey to coral reefs, kelp forests and towering seamounts, showcasing the wonders of the underwater world and the vital role the ocean plays in defending Earth against climate catastrophe as its largest carbon sink.
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    But the ocean also faces terrible threats. The film was shot as the planet experienced an extreme marine heatwave and shows the effects of the resulting mass coral bleaching: expansive graveyards of bright white coral, devoid of sea life.

    Extraordinary footage shot off the coast of Britain and in the Mediterranean Sea shows the scale of destruction from industrial fishing. Bottom trawlers are filmed towing nets with a heavy chain along the seafloor, indiscriminately catching creatures in their path and churning up dense clouds of carbon-rich sediment.

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  9. Editor’s Note: Call to Earth is a CNN editorial series committed to reporting on the environmental challenges facing our planet, together with the solutions. Rolex’s Perpetual Planet Initiative has partnered with CNN to drive awareness and education around key sustainability issues and to inspire positive action.

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    Crashing waves, glistening sea spray, a calm expanse of deep blue. These are the images that open “Ocean with David Attenborough,” the veteran broadcaster’s latest film. After decades of sharing stories of life on our planet, he tells viewers that: “The most important place on Earth is not on land but at sea.”

    The film — released in cinemas today and available to stream globally on Disney+ and Hulu in June — coincides with Attenborough’s 99th birthday, and describes how the ocean has changed during his lifetime.
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    “Over the last hundred years, scientists and explorers have revealed remarkable new species, epic migrations and dazzling, complex ecosystems beyond anything I could have imagined as a young man,” he says in a press release. “In this film, we share those wonderful discoveries, uncover why our ocean is in such poor health, and, perhaps most importantly, show how it can be restored to health.”

    The feature-length documentary takes viewers on a journey to coral reefs, kelp forests and towering seamounts, showcasing the wonders of the underwater world and the vital role the ocean plays in defending Earth against climate catastrophe as its largest carbon sink.
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    But the ocean also faces terrible threats. The film was shot as the planet experienced an extreme marine heatwave and shows the effects of the resulting mass coral bleaching: expansive graveyards of bright white coral, devoid of sea life.

    Extraordinary footage shot off the coast of Britain and in the Mediterranean Sea shows the scale of destruction from industrial fishing. Bottom trawlers are filmed towing nets with a heavy chain along the seafloor, indiscriminately catching creatures in their path and churning up dense clouds of carbon-rich sediment.

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  13. Editor’s Note: Call to Earth is a CNN editorial series committed to reporting on the environmental challenges facing our planet, together with the solutions. Rolex’s Perpetual Planet Initiative has partnered with CNN to drive awareness and education around key sustainability issues and to inspire positive action.

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    Crashing waves, glistening sea spray, a calm expanse of deep blue. These are the images that open “Ocean with David Attenborough,” the veteran broadcaster’s latest film. After decades of sharing stories of life on our planet, he tells viewers that: “The most important place on Earth is not on land but at sea.”

    The film — released in cinemas today and available to stream globally on Disney+ and Hulu in June — coincides with Attenborough’s 99th birthday, and describes how the ocean has changed during his lifetime.
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    “Over the last hundred years, scientists and explorers have revealed remarkable new species, epic migrations and dazzling, complex ecosystems beyond anything I could have imagined as a young man,” he says in a press release. “In this film, we share those wonderful discoveries, uncover why our ocean is in such poor health, and, perhaps most importantly, show how it can be restored to health.”

    The feature-length documentary takes viewers on a journey to coral reefs, kelp forests and towering seamounts, showcasing the wonders of the underwater world and the vital role the ocean plays in defending Earth against climate catastrophe as its largest carbon sink.
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    But the ocean also faces terrible threats. The film was shot as the planet experienced an extreme marine heatwave and shows the effects of the resulting mass coral bleaching: expansive graveyards of bright white coral, devoid of sea life.

    Extraordinary footage shot off the coast of Britain and in the Mediterranean Sea shows the scale of destruction from industrial fishing. Bottom trawlers are filmed towing nets with a heavy chain along the seafloor, indiscriminately catching creatures in their path and churning up dense clouds of carbon-rich sediment.

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  114. Tree-covered mountains rise behind a pile of trash, children run through the orange haze of a dust storm, and a billboard standing on parched earth indicates where the seashore used to be before desertification took hold. These striking images, exhibited as part of the Right Here, Right Now Global Climate Summit, show the devastating effects of climate change.
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    The summit, held at the University of Oxford in the UK and supported by UN Human Rights (OHCHR), aims to reframe climate change as a human rights crisis and spotlight climate solutions. It works with everyone from policymakers to artists to get the message across.

    “Photographers document the human rights impacts of climate change, helping to inform the public and hold governments and businesses accountable,” said Volker Turk, UN High Commissioner for the OHCHR, via email. “The Right Here, Right Now Global Climate Summit shows the power of collective action — uniting storytellers, scientists, indigenous leaders, and others to advance climate solutions rooted in human rights.”

    Coinciding with World Environment Day on June 5, the exhibition — titled “Photography 4 Humanity: A Lens on Climate Justice” — features the work of 31 photographers from across the globe, all documenting the effects of global warming and environmental pollution on their own communities.

    Climate change disproportionately affects vulnerable populations around the world. Despite emitting far fewer greenhouse gases, low-income nations are suffering the most from extreme weather events and have fewer resources to adapt or recover.
    Photographs at the exhibition show the effects of desertification, flooding and plastic pollution. A black and white image shows the ruins of a house in West Bengal, India, sloping towards the Ganges River, with the owner sitting alongside. Riverbank erosion is degrading the environment and displacing communities in the area. Photographer Masood Sarwer said in a press release that the photo depicts the “slow violence” of climate change: “These are not sudden disasters, but slow-moving, relentless ones — shaping a new category of environmental refugees.”

    Another photo, taken by Aung Chan Thar, shows children fishing for trash in Inle Lake, Myanmar. The lake was once a pristine natural wonder but now faces the growing threat of plastic pollution. “This image of children cleaning the water symbolizes the importance of education and collective action in preserving our environment for a sustainable future,” he said.

    Organizers hope that the exhibition will help to humanize the climate crisis. “Our mission is to inspire new perspectives through photography,” said Pauline Benthede, global vice president of artistic direction and exhibitions at Fotografiska, the museum of photography, art and culture that is curating the exhibition at the summit. “It draws attention to the human rights issue at the heart of global warming, which affects both the world’s landscapes and the people that live within them.”

    “Photography is the most influential and inclusive art form of our times and has the power to foster understanding and inspire action,” she added.

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  127. Tree-covered mountains rise behind a pile of trash, children run through the orange haze of a dust storm, and a billboard standing on parched earth indicates where the seashore used to be before desertification took hold. These striking images, exhibited as part of the Right Here, Right Now Global Climate Summit, show the devastating effects of climate change.
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    The summit, held at the University of Oxford in the UK and supported by UN Human Rights (OHCHR), aims to reframe climate change as a human rights crisis and spotlight climate solutions. It works with everyone from policymakers to artists to get the message across.

    “Photographers document the human rights impacts of climate change, helping to inform the public and hold governments and businesses accountable,” said Volker Turk, UN High Commissioner for the OHCHR, via email. “The Right Here, Right Now Global Climate Summit shows the power of collective action — uniting storytellers, scientists, indigenous leaders, and others to advance climate solutions rooted in human rights.”

    Coinciding with World Environment Day on June 5, the exhibition — titled “Photography 4 Humanity: A Lens on Climate Justice” — features the work of 31 photographers from across the globe, all documenting the effects of global warming and environmental pollution on their own communities.

    Climate change disproportionately affects vulnerable populations around the world. Despite emitting far fewer greenhouse gases, low-income nations are suffering the most from extreme weather events and have fewer resources to adapt or recover.
    Photographs at the exhibition show the effects of desertification, flooding and plastic pollution. A black and white image shows the ruins of a house in West Bengal, India, sloping towards the Ganges River, with the owner sitting alongside. Riverbank erosion is degrading the environment and displacing communities in the area. Photographer Masood Sarwer said in a press release that the photo depicts the “slow violence” of climate change: “These are not sudden disasters, but slow-moving, relentless ones — shaping a new category of environmental refugees.”

    Another photo, taken by Aung Chan Thar, shows children fishing for trash in Inle Lake, Myanmar. The lake was once a pristine natural wonder but now faces the growing threat of plastic pollution. “This image of children cleaning the water symbolizes the importance of education and collective action in preserving our environment for a sustainable future,” he said.

    Organizers hope that the exhibition will help to humanize the climate crisis. “Our mission is to inspire new perspectives through photography,” said Pauline Benthede, global vice president of artistic direction and exhibitions at Fotografiska, the museum of photography, art and culture that is curating the exhibition at the summit. “It draws attention to the human rights issue at the heart of global warming, which affects both the world’s landscapes and the people that live within them.”

    “Photography is the most influential and inclusive art form of our times and has the power to foster understanding and inspire action,” she added.

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  181. NASA scientists are in a state of anxious limbo after the Trump administration proposed a budget that would eliminate one of the United States’ top climate labs – the NASA Goddard Institute for Space Studies, or GISS – as a standalone entity.
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    In its place, it would move some of the lab’s functions into a broader environmental modeling effort across the agency.

    Career specialists are now working remotely, awaiting details and even more unsure about their future at the lab after they were kicked out of their longtime home in New York City last week. Closing the lab for good could jeopardize its value and the country’s leadership role in global climate science, sources say.

    “It’s an absolute sh*tshow,” one GISS scientist said under condition of anonymity because they were not authorized to speak to the media. “Morale at GISS has never been lower, and it feels for all of us that we are being abandoned by NASA leadership.”

    “We are supposedly going to be integrated into this new virtual NASA modeling institute, but (we have) no idea what that will actually look like,” they said.

    NASA is defending its budget proposal, with a nod toward the lab’s future.
    “NASA’s GISS has a significant place in the history of space science and its work is critical for the Earth Science Division, particularly as the division looks to the future of its modeling work and capabilities,” NASA spokesperson Cheryl Warner said in a statement.

    “Fundamental contributions in research and applications from GISS directly impact daily life by showing the Earth system connections that impact the air we breathe, our health, the food we grow, and the cities we live in,” Warner said.

    GISS has a storied history in climate science on the global scale.

    James Hansen, a former director, first called national attention to human-caused global warming at a Senate hearing during the hot summer of 1988. The lab, founded in 1961, is still known worldwide for its computer modeling of the planet that enable scientists to make projections for how climate change may affect global temperatures, precipitation, extreme weather events and other variables.

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  182. NASA scientists are in a state of anxious limbo after the Trump administration proposed a budget that would eliminate one of the United States’ top climate labs – the NASA Goddard Institute for Space Studies, or GISS – as a standalone entity.
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    In its place, it would move some of the lab’s functions into a broader environmental modeling effort across the agency.

    Career specialists are now working remotely, awaiting details and even more unsure about their future at the lab after they were kicked out of their longtime home in New York City last week. Closing the lab for good could jeopardize its value and the country’s leadership role in global climate science, sources say.

    “It’s an absolute sh*tshow,” one GISS scientist said under condition of anonymity because they were not authorized to speak to the media. “Morale at GISS has never been lower, and it feels for all of us that we are being abandoned by NASA leadership.”

    “We are supposedly going to be integrated into this new virtual NASA modeling institute, but (we have) no idea what that will actually look like,” they said.

    NASA is defending its budget proposal, with a nod toward the lab’s future.
    “NASA’s GISS has a significant place in the history of space science and its work is critical for the Earth Science Division, particularly as the division looks to the future of its modeling work and capabilities,” NASA spokesperson Cheryl Warner said in a statement.

    “Fundamental contributions in research and applications from GISS directly impact daily life by showing the Earth system connections that impact the air we breathe, our health, the food we grow, and the cities we live in,” Warner said.

    GISS has a storied history in climate science on the global scale.

    James Hansen, a former director, first called national attention to human-caused global warming at a Senate hearing during the hot summer of 1988. The lab, founded in 1961, is still known worldwide for its computer modeling of the planet that enable scientists to make projections for how climate change may affect global temperatures, precipitation, extreme weather events and other variables.

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  185. President Donald Trump wants to bring back American manufacturing in ways that would reshape the United States economy to look more like China’s. The campaign, which has led to a rapidly escalating trade war with China, has given ample social media fodder to Chinese and American observers alike.
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    Announcing a series of sweeping tariffs in a move dubbed “Liberation Day,” Trump said last week that it will lead factories to move production back to American shores, boosting the U.S. economy after “foreign leaders have stolen our jobs, foreign cheaters have ransacked our factories, and foreign scavengers have torn apart our once beautiful American dream.”
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    In a Truth Social post Wednesday, Trump announced that he is raising tariffs on goods imported from China to 125%, up from the 104% that took effect the same day, due to “the lack of respect that China has shown to the World’s Markets.” Higher targeted tariffs on other countries have been paused for 90 days, although the 10% baseline tariff will remain in place for all countries.
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    Meme-makers and Chinese government officials have in recent days begun pointing out the irony of Trump’s tariff-driven manufacturing pivot through AI-generated satire and political cartoons that have percolated online, with many American users boosting the jokes.
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    Opposite a bed in central London, light filters through a stained-glass window depicting, in fragments of copper and blue, Jesus Christ.
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    The cathedral is managed by Live-in Guardians, a company finding occupants for disused properties, including schools, libraries and pubs, across Britain. The residents — so-called property guardians — pay a fixed monthly “license fee,” which is usually much lower than the typical rent in the same area.
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    Applications to become guardians are going “through the roof,” with more people in their late thirties and forties signing on than in the past, said Arthur Duke, the founder and managing director of Live-in Guardians.
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    “That’s been brought about by the cost-of-living crisis,” he said. “People are looking for cheaper ways to live.”

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